芒果人 - 政治主張的寓言 ~ MANGO MAN - ALLEGORIES OF POLITICAL PROPOSITION “

盈珍攝影 - Ying Chen photography

193畫廊與策展集體TAK合作

由七位印度藝術家：Salik Ansari，

K.G. Babu，Sudhakar Chippa， Satyanarayana Gavara，Rajyashri Goody， Pavan Kavitkar，Sumakshi Singh

2025年首次在巴黎展覽

“ 芒果人 - 政治主張的寓言 ~ MANGO MAN - ALLEGORIES OF POLITICAL

PROPOSITION “

« 芒果人 » 透過提問來探索 

« 普通人 » 的概念.

印地語表達 “ Aam Aadmi “ 的諷刺演繹，

可參考 “ 普通人”

這個術語已經成為階級的象徵。

沉默、階級和種姓歧視、

農村外流、衝突⋯

人與自然之間

還有其對個人體驗的影響。

透過象徵主義、意象和隱喻，

藝術家們所呈現的

喚起了複雜的現實。

欣賞當代藝術家

透過非具象的方式，解構和重組的概念，

充滿自信的以各種材質、技巧呈現其視角、觀點和情感的每件作品，

令人感受到一種強而有力的能量充滿內心。

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193 Gallery cooperates with the curator group TAK.

By seven Indian artists: Salik Ansari, K.G. Babu, Sudhakar Chippa, Satyanarayana Gavara

Rajyashri Goody, Pavan Kavitkar, Sumakshi Singh

The first exhibition of Mango Man in Paris 2025.

"Mango Man" Explore through questions

The concept of "ordinary people “

The sarcastic interpretation of 

“ Aam Aadmi “ in Hindi, referring to-Reece to the ordinary people,

this term has become a symbol of class.

Silence, class and caste discrimination,

rural outflow, conflict...

Between human beings and nature.

And its impact on personal experience.

Through symbolism, images and metaphors,

What the artists present 

evokes a complex reality.

Appreciate contemporary artists

deconstructing and reorganising the concept through non representational methods,

each work that confidently presents its perspective, views and emotions with various materials and skills 

makes people feel that a strong and powerful energy fills the heart.

 

忍辱 ~ 放下 - Endure humiliation ~ Let go

 

盈珍攝影 - Ying Chen photography

曾以為學佛修行深不可得，

現在領悟到

修行是在日常生活中。

如果可以面對種種挫折、痛苦，

看清人性黑暗邪惡的一面⋯

以當局者迷，「旁觀者清」

的智慧去看人生。

能夠忍受種種恥辱，

看開、放下

方能找到內心的平和與清淨，

人性本善，

所有不善都是妄想煩惱習氣

感召引致。

放下妄心，真心才能現前。

放不下是無始以來的煩惱習氣。

忍辱 - 放下

是最大的智慧與福德。

I once thought that learning Buddhism and practicing were very profound.

Now I realize that

practice is in daily life.

If we can face all kinds of setbacks and pains and see the dark 

and evil side of human nature...

Look at life with the wisdom 

of the bystanders.

If we can bear all the humiliation

keep calm and let go

then we can find inner peace and purity.

Human nature is inherently good, 

and the evils are inspired by delusions, upset, bad habits.    

Let our deluded mind go

for reality can show. 

Unable to let go 

is the habits since the very beginning.

Endure humiliation - 

letting go is the greatest wisdom and blessing.

 

認清自我，究竟無我 - Recognise myself, there is no selfish.

盈珍攝影 - Ying Chen photography

希臘哲學家亞里士多德

(Aristotle, 384-322B.C.)

古希臘著名的哲學家

曾說: 

「 認清自己，是一切智慧的開始。」

的確，我們自幼就已經會用

 「我」這個字。

本能的需要自己被重視，被關注。

自我意識隨年歲與日俱增。

認清自我是日常必要的一種觀照，

看清楚明白自己的所作所為。

其實我們的內心是明鏡，

有觀照的本能，

對自己所作所為是非善惡

心知肚明。

然而因自私自利墮落的惡念

泯滅良知，明知故犯，

失去善良的真心本性。

如果能夠清淨心靈

以智覺瞭悟認清自我，

之後再將「自我」逐漸脫離出

人生的中心。

亦即放下「我執」

臻至無我的境界。

佛法中說「無我」，

是無一切眾生執著的「我」，

沒有這個「我」，只有真我。

佛法裡面得大自在，那是「真我」

不以自我為中心，

一切不只為自己，心清淨沒煩惱。

 

只想到自己，過於我執，

心裡有得失，

有得失心就生煩惱心。

為什麼會覺得活得這麼辛苦？

因為對於一切人事物過分的執著。

這是痛苦的根源。

放下才能得到自在。

以真誠、光明的心

照亮「真我」。

 

Greek philosopher Aristotle

（ 384-322B.C. ）

once said:

«  Knowing yourself is the beginning of all wisdom. »

Indeed, we have been using it since childhood  the word "I".

Instinctive needs to be valued and paid attention to.

Self-awareness increases day by day 

with age.

Self-recognition is a necessary observation in daily life.

See clearly what you have done.

In fact,  heart as an mirror.

Have the instinct of observation.

What we do is right and wrong,

we know it in our heart.

However, because of selfish and corrupt

evil thoughts

destroy our conscience 

and commit a crime knowingly,

lose the true nature of kindness.

If we can purify our heart

Recognise ourself with wisdom and understanding,

after that, gradually get rid of the "self"

 the centre of life.

That is, let go of "my obsession"

Reach the realm of selflessness.

Buddhism says "no self",

It is the "I" that not all sentient beings are obsessed with,

there is no "I", only the real me.

There is great freedom in Buddhism,

 which is the "true self"

Don't be self-centred,

Everything is not only for yourself, 

and the heart is pure and there are no worries.

We only think of ourself , 

too obsessed with ourself 

will have sense of gains  and losses

in our heart.

If we have sense of gains or losses,

we will have a worry.

Why do we feel that life is so hard?

Because of excessive obsession with everything.

This is the root of pain.

Only when we put it down can we feel comfortable.

With an honest and bright heart

Illuminate the "true self".

 

蘇格蘭國家畫廊 - Scottish National Gallery

 

盈珍攝影 - Ying Chen Photography

成立於1859年

坐落於愛丁堡市中心的土丘上。

館藏呈現蘇格蘭豐富的繪畫藝術史。

由文藝復興到後印象派的歐洲藝術。

西洋藝術始於宗教的题材，

之後的人為本的創作。

文藝復興後期17世紀

作品呈現大多以表現現實生活中的人物、

社會風氣作為繪畫主題。

此外，也有大自然、田園生活的畫作。

我個人較欣賞畫作中

大自然的景象。

然而人物與大自然和諧共融的美

更令人感動。

走過一間又一間畫室，

「 月光下的海景」 

這幅畫作令人震撼。

畫作色調、筆觸是莫奈的作品嗎？

閲讀畫旁的描述：

「 克勞德·莫奈（1840-1926）

月光下的海景

1864年的油畫

夜晚港口的壯觀景色是

莫奈於19世紀60年代的

獨特作品。

描繪法國諾曼第海岸港口

勒阿弗爾附近的大海。

帆船、一個小漏斗，

月光下的船影⋯

莫奈以不尋常的技術

使用調色刀和刷子，

此畫作有古斯塔夫·庫爾貝Gustave Courbet （1819- 1877）法國現實主義畫派創始人的影響力。」

我看到莫內的天空、海港、船⋯

畫作呈現的不只是風景，

是他的內心深處。

景物、色澤

以朦朧的意象

呈現磅礡氣勢。

莫內的畫作

由單純繪畫

透過景物釋出內心的意境。

他的作品在當代被視為草稿，

然而在他而言是一種印象。

他的畫風極簡

卻完美呈現整體的美感。

莫內喜歡走向大自然寫生。

他的作品不斷成長、進化。

是他的內心世界與人生歷程。

分享世人

對於大自然的理解與愛。

告別了如此豐盛的藝術饗宴。

很珍貴的經歷

可以認識與感受

這些充滿能量的藝術作品。

（ 由於此 Blogger 無法上傳影片，

只能在YouTube 分享我的影片 ）:

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Founded in 1859,

It is located on the mounds in downtown Edinburgh.

The museum's collection presents a rich history of painting and art in Scotland.

European art from the Renaissance to the post-Impressionism.

Western art begins with the subject of religion.

Later, human-based creation.

The 17th century of the late Renaissance,

most of the works are presented to express real-life characters and social atmosphere.

As the theme of painting.

In addition, there is also nature 

and pastoral life.

Personally, I appreciate the painting’s 

 scene of nature.

However, the beauty of harmony between the characters and nature

It's more touching.

Walked through one studio after another,

" Seascape under the moonlight “

This painting is shocking.

Are the tone and brushstrokes of the painting Monet's works?

Read the description next to the picture:

" Claude Monet (1840-1926)

The sea view under the moonlight

Oil painting in 1864

The view of the harbour at night,

Monet in the 1860s

Unique works.

Depict the port of the Normandy coast in France

The sea near Le Havre.

Sailboat, a small funnel,

The shadow of the boat in the moonlight...

Monet with unusual technology

Use a colour knife and a brush,

This painting is influence by Gustave Courbet (1819-1877), 

the founder of the French realist school of painting. “

I saw the sky, harbour, ship...

What the painting presents is not only the scenery.

It's deep in his heart.

Scenery, colour

with a hazy image 

it presents a majestic momentum.

Monet’s  paintings

From simple painting

release the inner artistic mood through the scenery.

His works are regarded as drafts in contemporary times.

However, it is an impression for him.

His painting style is minimalist,

but it perfectly presents the overall beauty.

Monet  likes to sketch in nature.

His works are constantly growing and evolving.

It is his inner world and life journey.

Share with the world -

understanding and love for nature.

Say goodbye to such a rich art feast.

A very precious experience.

We can recognise 

and feel these energetic works of art.